Sunday, August 10, 2014

Best Music 2007


1.      Sound of Silver – LCD Soundsystem

2.      Sojourner – Magnolia Electric Co.

3.      Sky Blue Sky – Wilco

4.      Person Pitch – Panda Bear

5.      Untrue – Burial

6.      Neon Bible – Arcade Fire

7.      And Their Refinement of the Decline – Stars of the Lid

8.      In Rainbows – Radiohead

9.      The Reminder – Feist

10.  La Radiolina – Manu Chao

11.  S –Sylvain Chauveau

12.  Ayres – Helios

13.  Mirrored – Battles

14.  Above the Trees – Paul Duncan

15.  Comicopera – Robert Wyatt

16.  The Cloud of Unknowing – James Blackshaw

17.  Tan Tan Therapy – Tenniscoats

18.  The Besnard Lakes are the Dark Horse – The Besnard Lakes

19.  Armchair Apocrypha – Andrew Bird

20.  The Search – Son Volt

 

21.  8 – Supersilent

22.  The Boxer – The National

23.  Ga ga ga ga ga – Spoon

24.  Liars – Liars

25.  Cryptograms – Deerhunter

26.  Tropism – Bexar Bexar

27.  Cease to Begin – Band of Horses

28.  From Here We Go Sublime – The Field

29.  Feil Knapp - Bjorn Torske

30.  Fourteen Automns and Fifteen Winters – The Twilight Sad

31.  The Historical Conquests of Josh Ritter – Josh Ritter

32.  The Long-Term Physical Effects are not Known – Jay Jay Johnson

33.  Whistleblower – Vladislav Delay

34.  Steingarten – Pole

35.  Chrome Dreams – Neil Young

36.  The Words and the Days – Enrico Rava

37.  Random Spirit Lover – Sunset Rubdown

38.  In a Nutshell – Pelle Carlberg

39.  Night Falls over Kortedala – Jens Lekman

40.  Formal Sleep – Ateleia

41.  Andorra – Caribou

42.  Street Warrior – Richard Thompson

43.  You Have a Problem with Me – Julian Cope

 

 

 

Best Music 2006


  1. Califone – Roots and Crowns
  2. The Hold Steady – Boys and Girls in America
  3. Bob Dylan – Modern Times
  4. Ali Farka Toure - Savane
  5. Yo La Tengo – And I Will….
  6. Benoit Pioulard - Precis
  7. Six Organs of Admittance – The Sun Awakens
  8. Autumn Leaf – Into the Blue Again
  9. Grizzly Bear – Yellow House
  10. Mogwai – Mr. Beast
  11. Los Lobos – The Town and the City
  12. Serena-Maneesh – Serena Maneesh
  13. Stone Jack Jones - Bluefolk
  14. One Second Bridge – One Second Bridge
  15. Brightblack Morning Light – Brightblack Morning Light
  16. Howie Gelb – Sno Angel Like You
  17. Sonic Youth – Rather Ripped
  18. Thom Yorke – The Eraser
  19. Destroyer – Destroyer’s Rubies
  20. Belle and Sebastian – The Life Pursuit
  21. Juana Molina – Son
  22. Junior Boys  - And So This is Good Bye
  23. Tim Hecker – Harmony in Ultraviolet
  24. Asobi Seksu – Citrus
  25. Tapes ‘n Tapes – The Loon
  26. Charlambides -  A Vintage Burden
  27. The North Sea and Rameses III
  28. B. Fleischmann – The Humbucking Coil
  29. The Brother Kite  - Waiting for the Time to Be Right
  30. Herbert – Scale
  31. Neko Case – Fox Confessor Brings the Flood
  32. Band of Horses – Everything All the Time
  33. Placebo – Meds
  34. Neil Young – Living with War
  35. Lindstrom and Thomas – Lindstrom and Thomas
  36. Black Heart Procession – The Spell
  37. Danielson – Ships
  38. J Dilla – Donuts
  39. Calexico – Garden Ruin
  40. Josh Rouse – Subtitulo
  41. Gotan Project - Lunatico

 

Best Music 2004


Harper’s Top 40 of 2004 – God kept me living, and music kept me alive one more year.  Smells like silver-haired spirit.

 

 

1.    P.J. Harvey – Uh Huh Her

Bile is both sexy and timeless.  Head banging is the same gesture as nodding out, only with a little more overt anger and purpose.  Probably a quirky choice for number one, but after all the nu-folk and ambient cerebral electronics and sappy vegan rock and Ibiza- pop in my music this year, I needed red meat and PJ  always has delivered the raw flesh.  Thank you PJ, thank you rock and roll.  Pour that fucking salt of the earth in my natal wound. “Mommy put your needle down.”

 

2.    Animal Collective – Sung Tongs

Short sweet and sour songs.  Sometimes throwaway sketches, lazy or ephemeral ideas for music. Psychic placeholders.  Vocals as calm and friendly as your favorite vacation.  On the beach after the destruction of commercial music… ambitious post-apocalypse beach boys with secret strains of Nino Rota.  La Dolce Vita as Baghdad glows in suicidal bomb light and the Dow flatlines.

 

3.    The Arcade – Funeral

Kitchen rock.  A compendium of pop skills-sets.  You name the favorite, and you’ll hear it  “quoted” within three tracks.  A dash of Bowie and a splash of Pavement., though just using the language they grew up with…refreshingly unassuming while being derivative .  A brilliant work, irresistible, cagey, classic pop sensibilities and drive.  I lose interest 2/3 of the way through every song.  Astonishingly promising music that teases and turns itself off like an iron left on.  So gifted at re-creating the past of my favorite music, the songs tire me.  A spectacular debut.  A pot begging to be watched .

 

4.    Blithe Sons – Arm of the Starfish

Analog ambient.  Californian as Mendocino fog.  Heads bent over guitars, shoe-gazing in reverence more than method.  Strumming to synchronize your pulse.  Continually and earnestly seeking some kind of recognizable musical structure mostly without success.  Repetitive to no purpose.  Playable late at night or in crises… sonic laudanum conjured in the Eternal VW bus once again stalled in the underpass.  I smell sage.

 

5.    Dungen – Ta Det Lugnt

Scandanavian psychedelic and unkempt.  Lots of layers for varied weather.  Everytime you listen you hear a wholly different kind of music being put on.  Adolescent and stoned, collegiate and studious, obsessed and inevitable.  I sense  I am probably lucky I can’t understand Swedish, the mystery of the singer’s stories are best left there.  Best  tribute to the adenoids ever.  I don’t know whether it is a soundtrack to a silly  Roger Corman goth horror flick or Danzig’s garage tapes or re-discovered studio masters to a long lost Arthur Lee trip to and in Oslo.   

 

6.    Wilco – A Ghost is Born

I had a measurably adverse reaction at first… seemed a little wimpy, and baroque for one of my favorite bands of all time.  Saw it performed live and it straightened out for me.  Too clever by half, though with a redeeming the love of what’s left of rock and roll.    Handshake drugs all gone.  The ashtray still has tales to tell though.  Still cigarette smoke hanging in the drapes.

 

7.    Sufjan Stevens – Seven Swans

Art songs.  Who can follow the lieder?  Wish he had a bit more of a sense of humor, but his stark voice is a sharpening edge, his lyrics are Big Picture serious, and I think he probably really does pray to Jehovah-God on a daily basis.  Emo Dylan…. The smooth folk ilsounds of the 21st century. God bless his abstemious little heart of darkness.  Count the bible verses.  Count your blessings in any and all cases.  Maybe seven? Burning offerings, silly boy.

 

8.    Califone – Heron King Blues

Rootsy brew of danceable, trance-like folk rock.  Make-out music with bittersweet banjos greasing the seductive wheels.  An aural salve treated with clanging sounds collected from dives into Nashville’s dumpster or Kid A.  Corn-pone dreamy lap pop with Blonde-on-Blonde era vocals.  Calculated and calming.  Drum circles on coastal bluffs, drive back in the brand new truck.  World music for the busy residents of the Potomac, Portland, and Jackson Hole. I smell Patagonia.

 

9.    Sonic Youth – Sonic Nurse

Not only back in form, but now they’ve outlasted all those they influenced to sound again unique and important.  Real rock art.  Their best since the 80’s.

 

10. Riot on an Empty Street – Kings of Convenience

Absurdly spot-on knock-offs, maybe even channeling, of Simon and Garfunkel by barely post-adolescent Norwegian wunderkind.  Production sparkly clean and a love for pop music so deep that it overwhelms the necessary irony that this kind of sublime pap inescapably invokes. 

 

11. Lanterna – Highways

The work I played more often than any this year.  I let it repeat in the car for weeks at a time. Embarrassingly Starbucks-compilation aromatherapy or soundtrack for a road movie placed in the New Mexico high desert.  The Edge –clone noodles heroically with the scent of pinon.  Peaceful dinner music for the marriage supper of the lamb held in redwood forests and santa fe nouvelle cafes.  I can’t help being who I am.  Can you? High volume or low, the malleable feast my days have become.  Why does this supple pretty music ready my heart?  For what?

 

12. Junior Boys – Last Exit

I wonder when I started liking dance music, when it started sounding like Eno?  Chilly lap-pop for the après-club, crisply spacious, the classic combination of enervation and tense need.  These boys werk their kraft with little sense of humor which actually means the joke doesn’t stale.  They’re Canadian but sing in a faux-german accent the way Mick sings in a faux –Mississippi drawl, with similar intent and to similar good effect.

 

 

13. Karate – Pockets

The only thing I liked this year that could be compared to Steely Dan.  Jazzy music with a voice of a singer who swings in the syncopated swing of someone’s misspent youth.  Young hippie girls spinning on the summer lawns, boys with muttonchops bopping their heads with hands in their pockets.  Jamming to the smell of armpits, patchouli, and an afternoon cocktail in Sausalito.  Seventh chord prophecy for the very, very young.  Let’s trade partners and solos.  Includes an homage to Pennsylvania and a caution about credit card debt.

 

14. Architecture in Helsinki – Fingers Crossed

A little goes a long way and this Aussie group enamored of Europop hedges on twee.  Fortunately this is more a list of possible pop ideas than pop songs with cuts lasting  not more than 90 seconds. Chill tubas and retro-marimbas cover the Claudine Longet vocals with simple ease.

 

15. Blue Nile – High

In the tradition.  High rock culture in the progressive-Scottish style that never disappoints.  The third release in the last 25 years by the greatest unknown band in Brit-pop history.  Classic sounding just a bit dusty, if this were only 1987….

                    

16. Sun Kil Moon – Ghosts of the Great Highway

Mark Koselek is a better songwriter than just about anyone and dips deep into a singer-songwriter tradition of broken-hearted troubadours (Hank Williams, Jackson Browne, Jeff Tweedy).  One of the most beautiful voices in american pop.  Value-added Neil Young crunchy power chording.  Hmmm, why isn’t this better.

 

17. Savath and Savalas – Apro’pt

SF DJ type moves to Barcelona.  Mature southern-euro-pop results with a dash of  Buckley’s grace.  Sexy woman can sing anything and soothing castellano self-assurance is good for late nights and wine bars.  OK, I admit, I’d love a month in Ibiza, is that so wrong?  I smell hash and brie.

 

18. Interpol – Antics

Urbane and energetic and very, very white.  Strummy guitars, style, and 80’s sonic structure, they deserve to be the rock stars they pose as.

 

19. Hayden – Elk Lake Serenade

Earnest nu-folk Americana (as only Canadians can do).  Pedal-steel emo. Waltzes and harmonicas.  Lost loves and the smell of vegan cookies baking (although there is a lyric that references creme brulee).

 

20. A.C. Newman – Slow Wonder

Seamless, faultless pop music, with polished up Nuggets from the garages of Van Nuys (1969),  Boston (1981), Seattle (1997).  Wins the Grad Student of Pop Music.  Comfort food. 

 

21. The Delays – Faded Seaside Glamor

22. Tres Cosas – Juana Molina

23. Erlend Oye – D.J. Kicks

24. Modest Mouse - Good News For People Who Love Bad News

25. Fennesz – Venice

26. Nick Cave and the Bad Seeds – Abbatoir Blues

27. Futureheads – Futureheads

28. !!! – Louden up  Now

29. Pinback – Summer in Abbaddon

30. Xiu xiu – Fabulous Muscles

31. Kinski - Don’t Climb on and Take the Holy Water – Kinski

32. The Libertines – The Libertines

33. The Walkmen – bows and Arrows

34. cLOUDDEAD – Ten

35. Los Lobos - Ride

36. Desperate Youth, Blood Thirsty Babes - TV On The Radio

37. When it Falls – Zero 7

38. Guided by Voices – Half Smiles of the Decomposed

39. Jóhann Jóhannsson’s Virthulegu forsetar

40. Max Richter – The Blue notebooks

41. Snow Patrol – Final Straw

 

Best Music 2003


 

  1. Broken Social Scene – You Forgot It In People

It’s the year of the Canadian Cure -  pop alchemy for various sonic ailments.  Ample music, ingratiating, diverse and cohesive.  Big sound for melodic theme and instrumental (treated) variations.  Lyrics emanating from some middle-class melancholic midpoint between Raymond Carver and William Borroughs.   Small details and large themes.  Dark and poppy.  Suitable for all occasions if you ignore the scatology with canook blithe spirits.  In an old Volvo, driving away in the morning with both smile and self-loathing.

 

  1. Califone –  Quicksand/Cradlesnakes

Post-lo fi that went in the other direction from the polished Notwist and Postal Service.  Messy and rootsy songs with layers of sound dropped by producers needing sleep.  Lot’s of appealing crippled instrumentals, dipped in electronics, and folk-rock earnestness.  Irony fully in tact, but hearts hanging by a thread from worn and soiled sleeves.  Baroque cornpone. Late at night with tea and a headache.

 

  1. Four Tet – Rounds

Circular and gentle.  But not shallow, scratch the pretty surface and there is grand design.  Acoustic, spacey with a hitch in its chilly dance step.  Soundtracking with subtle precision.  On the beach in Mykonos.

 

  1. Sufjan Stevens – Greetings from Michigan

A true 9-11 song cycle.  Stories in both the words and the monotonously delicious melodies.  Crisp construction and patient singing.  Banjos and a novelist’s ambition.  Truth about decay and rust, and that truth is beauty.  For all it’s potential sarcasm, there is a kind presence.  I think he loves the state in all its obese and drained glory.  So American it’s sad enough to make you cry.  Literate though literal. The kind of somber gravity Beck aspired to in Seachange.  On a plane to some better, dreamed, life.

 

  1. Calla – Televise

Dark spaces and welcomed dead ends.  Unfinished ideas.  Reverb and

  1. Lucinda Williams – World Without Tears
  2. Juana Molina - Segundo

The Argentine Portishead. 

  1. Yo La Tengo – Summer Sun

Solid songs, romantically classic.  Adult indie.

  1. The Weakerthans – Reconstruction Site
  2. Radiohead – Hail to the Thief
  3. Outkast – Speakerboxx/The Love Below

The Andre disc is brilliant.

  1. Songs: Ohia – Magnolia Electric Company

Maybe he does sound like Neil Young.  Maybe the working class angst is a little too Steinbeck.  Maybe the crunchy chords and

  1. Prefuse 73 – One Word Extinguisher
  2. The Wrens – Meadowlands
  3. The Strokes – Room on Fire
  4. Josh Rouse - 1972
  5. Arab Strap – Monday at the Hug and Pint
  6. Tim Hecker – Radio Amor
  7. Postal Service – Give Up
  8. Stars - Heart
  9. Stephen Malkmus and the Jicks – Pig Lib
  10. Blithe Sons – We Walk the Young Earth
  11. The Books – The Lemon of Pink
  12. Mars Volta – De-loused in the Comatorium
  13. Clearlake – Cedars
  14. Neil Young – Greendale
  15. 1 Mile North – Minor Shadows
  16. Angels of Light – Everything is Good Here
  17. Elbow – Cast of Thousands
  18. Fruit Bats – Mouthfuls
  19. Aarktica – Pure Tone Audiometry
  20. Microphones – Mt. Eerie
  21. Sun Kil Moon – Ghosts of the Great Highway
  22. Warren Zevon – The Wind
  23. Kinski – Airs Above Station
  24. TV on the Radio – Young Liars
  25. M83 - Dead Cities, Red Seas & Lost Ghosts
  26. American Analog Set – Promise of Love
  27. Supersilent  - 6
  28. Aerogramme – Sleep and Release
  29. My Morning Jacket – It Still Moves Me
  30. The Constantines – Shine a Light
  31. Calexico – Feast of Wire
  32. Manitoba – Up in Flames
  33. Ester Drang – Infinite Keys
  34. Erland Oye – Unrest
  35. Shins – Chutes Too Narrow
  36. Deadly Snakes – Ode to Joy
  37. Grandaddy - Sumday
  38. Johann Johannson -   Englaborn
  39. Sidestepper – 3 AM In Beats We Trust

 

 

 

Biggest disappointments: Damien Rice, Cat Power, Ted Leo and the Pharmacists, White Stripes, Earlimart, The Rapture, The Decembrists, Shins

 

Best Music 2002


  1. Notwist – NeonGolden

Oboe and pizzicato, achingly beautiful melodies, silly thin nasal vocals, music for both heartbreaks and dinner parties.  Post-cold war chamber pop.  Minor chord commercial music.  Catchy melancholy. Atmospheric though without big spaces.  Electronic and crisp but very close to the ear.  Sometimes sounding like vintage Beck doing Cure covers.  In fact, in my humble opinion, if Beck wanted to lose irony, this is the music he should be making, not the lugubrious and sluggish Sea Change.  This is dance-ready.  Neue New Wave.  I mean,  cocktail lounge banjo played by aging German club kids? Who could resist.  Songs full of cool yearning.  Strongest tunes of the year.  Melody uber alles.

 

  1. Spoon – Kill the Moonlight

Minimalist rock, because little else is needed.  Richly allusive without being ironic.  The songs sound extremely familiar on first listening, perhaps like they are covering classic rock.  But on more listening, the anxious composition surfaces, and while the memory is of a guitar researcher, this is really keyboard-based.  Maybe their genius is best known in the arrangements.  They are unlike any other archival rocker, because they sound frank and direct with nary a dash of preciousness. 

 

  1. The Books – Thought For Food

For serious and serious-minded music lovers.  Sound collages, voice samples, treated sound, lots of acoustic guitar and strings.  Every now and then a bit of southern folk or even bluegrass sneaks through the found sounds, electronic clicks and echoes, and voices of characters from chilling short stories (dialogue from French films translated into American argot).  More performance piece than rock and roll, but cute and saucy as much as dark and spacey.  I’ve listened to this 100 times and it never sounds familiar, never sounds safe, and is always beautiful.  A soundtrack for the Zen of futility.  Lieder for crackers.  Silencio.

 

  1. Wilco - Yankee Foxtrot Hotel

Tweedy’s voice and lyrics and melodies are better than ever and worth the hype and drama of how this was released.  But the production was thin and baroque and garbled the songs.  It wanted to be OK Computer or Kid A, and I wanted a fat guitar sound to match the rough and ready heart beating strongly under the mushiness.

 

  1. Flaming Lips – Yoshimi

Lovely and silly.  Unless something happens, I can’t imagine buying another Flaming Lips CD… but this is a fine apotheosis for the dreamy and pressured pop songs that only they seem to pull off.  Tender lovesongs about fighting Japanese robots.  They have animated their vision into rock history and into irrelevance.

 

  1. Yume Bitsu – Golden Vessel of Sound

From the roots of Popol Vuh, Tangerine Dream, and other prog-art bands that none of these Portland, Oregon youngsters ever heard of, blossoms a jazzy, psychedelic sound of the New West.  Tortoise less pinch-faced.  Ringing electric guitars steamed in dreamy folk improvisations. Lots of air in this music, food for great breathing.  Maybe mystical is the new noise for the rapidly disappointing new millennium…after all.

 

  1. Hayden – skyscraper national park

Simple and baked sounds.  Organic (analog clarity) and nutritious.  Neil Young shoulda written these songs.  Canadian and sad.  Big Sky travels and bong-bound afternoons both invoked.  Warmly appealing vocal over slowly moving folk-rock.  Depresso-core.

 

  1. Elvis Costello – When I was cruel

With the grace of Serge Gainsbourg, the invention of Burt Bacharrach, and the, well the cleverness of Elvis Costello, this surprised with a return to form.  A couple of these songs can sit with the best he’s ever written without embarrassment.  His voice intact.  His angst could teach Beck’s melancholy a think or two.  Smart music direct from his heart to your gut.

 

  1. Radio 4 – Gotham

Yep, it sure sounds like Gang of Four.  Yep, I sure liked Gang o’.  Yes, nobody else is political like this.  Yep, you can dance to it.  Yep, the sound is straight with no treatment.  Yep.

 

  1. Elbow – Asleep in the Back

It was either this, or South, or Doves or Cranes.  This wins for me because its Brit-rock melancholy has a dash of jazz (Simple Minds with a touch of Traffic).  And doesn’t sound in any sense retro.  Indie in intent if pop-folk in product. 

 

  1. Songs:ohia – Didn’t it rain

An intense earnestness that Low might want to match.  Improvisational in design and it does feel lose and “authentically” live and underproduced.  Simple sounds and rootsy arrangements… saved from alt. country-folk bird-brained stupor by dark and foreboding melodies and sad and emotional vocals.  Bitter more than sweet, but rich music that holds up well under multiple listenings.

 

  1. Bright Eyes – Lifted, or The Story is in the Soil

Ok, he’s annoying and too young to be this good.  Ok, he could be the next Ryan Adams and I could hate him within a year.  Yes, the Dylan comparisons are trite.  The lo-fi quality of some of the cuts paired with the too-forced (calculated?) rough angry vocals make some of this truly unlistenable.  But every now and then the quality of the shape of the songs, the brilliant arrangements, the quality of lyrics and the hunger in the voice make you think, this could be a very, very important talent.  Or merely an American Gomez, not a bad thing either.  Heartland indie rock with heart.

 

  1. Arktica – Or you could just go through

Less is the new more.  Minimal and cool, but with the necessary acoustic and vocal touches to make it new and not dated ambient.  In fact it is the vocals and songwrting, always rising out of easy soundscapes that make it sound human and current.  No one knows this band and I don’t have a clue as to why they sold single digits of this brilliant, likeable slo-core music.

 

  1. Peter Gabriel – Up

The only reason it isn’t higher is that this is music ignored by the zeitgeist.  Although beautiful, his world’s music sounds a little locked in time, but then so does Stravinsky.  But if the arrangement is embedded and known (bedded down for the very long night), the voice and design of lyrics and artfulness of the songs cycle is classic Gabriel.  Which means it is rich in affect, chock full of profound and authentic emotion.  This is St. Peter’s Time Out of Mind.  The passing of time, the ineluctable rewards of growing up.

 

  1. Interpol – Turn on the Bright Lights

Deliciously murky and dark music.  Retro-angst.  Beautifully produced, with incisively calculated allusions to various classic British sounds like Joy Division of My Bloody Valentine.  But these gazes are at career moves more than shoes.  Very New York in its cold ambition.  Sonic guitar of the Edge school, though slowed down enough to fit into a Tom Verlaine solo.  Pushy textures but with the song-writing chops to back it all up.

 

  1. Boards of Canada – Geogaddi

Pushing the ambient electronic language to ever more soundtracked adventures in sound.  They don’t let their facility with created sound to mitigate their wealth of ideas.  It may be pretty music, but it is smart.  It may be comforting and mature, but is also wise.

 

  1. Trail of Dead – Source Tags and Codes

A big and soaring sound that lost power with every listening.  At first, it sounded like the return of Big Country or Husker Du.  Dynamic and recognizable rock.  Punkish by turns, in fact this could be arena rock.  Bics up high.  Put your pipes in the air like you just don’t care.  Ambitious slacker music.  Tex-brit rock and roll.  Melody was the new black of the year, and this disc had lots of it (and sounded at times like the new Foo Fighters).  Part of the lowered shelf life was production values and choices.  They are supposed to be powerful live… this sounds like that’s probably true.  Gloomy, anxious and stately music.   Dignified excess.

 

  1. Keith Fullerton Whitman – Playthroughs

White noise, clicks and buzzes, humming and ambient.  Both colder than Boards of Canada and  more emotional.  Strongly affecting for what sounds like a blender slowly breaking down.

 

  1. David Grubbs – Ricketts and Scurvy

Chamber rock. Modulated and thoughtful.  Post-rock as art song, though with a stripped down instrumentation, and outré by melody and lyric more than texture or arrangement.  Tasty guitar playing.  Morning music, if the morning is calm, serious, and adult.  I always found his voice appealing, and here his singing seems better than ever.

 

  1. Shalabi Effect – The Trial of St. Orange

Montreal exo-music theorists.  Broad and compositional.  Sometimes difficult to parse out the intent of the layers of mostly acoustic noise.  Sometimes spacious and graceful.  Perpetuating the serious intent of post-rockers like the first Tortoise with a sense on scraped-off newness.  Music for depression or delirium or deep thought.

 

The rest:

 

  1. 1 Giant Leap
  2. Joseph Arthur – Redemption’s Son
  3. Low – Trust
  4. Aluminm Group - Happyness
  5. Sigor Ros – ( )
  6. The Walkmen – Everyone who liked me is dead
  7. +/-
  8.  Foo Fighters – One by One
  9. Guided by Voices
  10. Pedro the Lion –  Control
  11. Reindeer Section – Son of Evil Reindeer
  12. DJ Shadow – Private Press
  13. Bruce Sprinsteen – The Rising
  14. Jim O’Rourke – Insignificance
  15. p:ano – When It’s Dark It’s Summer
  16. South
  17. Luna – Romantica
  18. Jim Vanderslice – Adventures of a Fourtracker
  19. Cranes
  20. Desaparecidos – Read Music Speak Spanish
  21. Desert City Soundtrack – Contents of Distraction
  22. Beth Orton – Day Breaker
  23. Doves – The Last Broadcast
  24. L’Altra – In the Afternoon
  25. Future Sound of London – Isness
  26. Frank Black and the Catholics - Devil's Workshop
  27. Clinic – Walking with Thee
  28. my morning jacket, chocolate and ice
  29. Corner Shop – Handcream for a Generation
  30. Godspeed You! Black Emperor-Yanqui U.X.O.

 

 

Das Lied von der Ehrde - Olga the recent refugee from Bohemia leaned over my crib while my parents were away in Aruba... she, damaged soul that she was with the mountainous rackovskies and cooked-cabbage breath, reached down to do the uncle ernie fiddle as she did her imitation of Dietrich Fischer-Dieskau, she had dressed as a man for the occasion. Indelible. To this day I shift uncomfortably anytime I hear anything even close to a minor key adagio.

Dunkel ist Das Leben, ist Der Tod!